The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

The monastery of Panagia Kaliviani is located at the 59th km on the road Iraklion-Phaistos. The monastery was built during the second Byzantine period. The small Byzantine chapel was painted with frescoes but most of them are today destroyed. The chapel was deserted until, during the Turkish occupation in 1873, an old small icon of the Annunciation of the Holy Mother was miraculously found there.and the monastery became a place of worship.

Agia Varvára (GR: Αγία Βαρβάρα) is a town built along the road between the Messara plain and the Malevizi region at the highest point (580 m).
The town enjoys a unique location with a splendid view into the Malevizi region, and a cool climate, particularly pleasant during the hot summer months. It produces first-rate fruit and vegetables.
Because of its strategic location on the main north-south axis, the town was often exposed to fierce battles. A famous warrior, Mathiou Kapitakis or Mathioudakis was born here: he fought side to side with Karaiskakis and was killed at Faliro. His comrade-in-arms, Logios, was the hero of Aghios Thomas.
As you reach the village, on the north side there is a rock with a chapel dedicated to Profitis Ilias. On this rock -which used to be twice as large but part of it fell off at the beginning of the 19th century- there used to be an ancient temple.
Nowadays, the visitor can find every kind of commodity and facility on hand at the modern town of Aghia Varvara. In summer a special 'tsikoudia' feast, and in early spring a carnival feast are organized by the Cultural Association of the town.
At the centre of the town, there are two churches - one old and one new - both dedicated to the patron saint, Aghia Varvara. Three Byzantine churches are also well worth a visit: Profitis Ilias, Aghios Giorgos and Aghios Ioannis, and of course the old monastery of Aghia Pelagia by the cemetery.

The sanctuary of the Egyptian deities (1st-2nd centuries A.D.) is the only one, in the whole island, which is dedicated to the Egyptian gods Isis, Serapis and Anubis - Hermes although it is known that those gods are worshiped in other cities.
The sanctuary consists of quadrilateral nave, arcade on the west, underground crypt in the south and a cistern outside east of nave. In the central alcove stood the statue of Serapis and the side statues of Isis and Hermes - Anubis. In the southern part of the temple was oblong space, underground crypt purification and a small cictern. The final construction phase of the temple dates to the 1st / 2nd century. AD, in accordance with dedicatory inscription.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

The Temple of Apollo Pythios (Pythian Apollo) located in the center of the ancient Agora, was excavated in 1887 and was the largest temple and the religious center of ancient Gortyn until the introduction of Christianity and the founding of the basilica of St. Titus around 500 AD.
The first building of the seventh century. BC was a four-sided enclosure with four wooden pillars in the center to support the roof. The exterior walls and stairs of the crepis were covered with archaic inscriptions. In the Hellenistic period a monumental anteroom was added while columns with inscriptions were placed between the pillars. Alterations and additions were made during the Roman period. Outside the temple was built a magnificent altar on a stepped base while in the west of the temple was built a small theatre.
In the middle Byzantine period in the vicinity of the temple, which had been abandoned, were built houses and aqueducts.
Many finds have been made in the temple among which the colossal statue of Apollo Pythios and many inscriptions with administrative and law content of the Archaic and Hellenistic period. Dates: 7th c BC; Hellenistic; 2nd c AD.

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.

The Great Nymphaeum (Nymphaion GR: Νυμφαίον), located to the north of Praetorium, was a marble construction with a covered cistern and fountains. Statues of Nymphs stood in the niches. The area of the remains is closed to the public but visitors can see it from a distance.

Mitropoli (GR: Μητρόπολη) is a small village in the archaeological site of Gortyna in Messara plain. The village is mentioned for the first time in the Ducal archives of Candia in 1368 and later in the census of 1577 by Fr. Barozzi and in 1583 by Castrofylaka.
Early mention of the settlement is to document the Ducal Archive of Candia in 1368, also mentioned by Fr. Barozzi in 1577 with the name and the Mitropoli Kastrofilakas in 1583. According to the census of 2001 it has 382 inhabitants.
Main occupations of the inhabitants is the cultivation of vines, olives, vegetables, cereals and citrus fruits. At its north borders are located the ruins of the first cathedral of St. Titus, in which it owes its name.(Mitropoli = Cathedral).

It lies at the south eastern part of the city and it is considered to be largest of all theaters in Gortyna. Although it is not yet excavated, it is believed that it had a two storeyed stage and its cavea was supported by 56 arches. The statue of the seated philosopher that we see next to the exhibition hall of the archaeological site was found here.

The artistic events, which take place every year in the first week of July at the same place called Fourni and in the Cretan village of Anogia. The poet, songwriter and singer from Anogia, who they call "Loudovikos from Anogia" wants to make the history of the young martyr, who supersedes his fear in love known to the public. And because 1.900 years have passed since the martyrdom of Yakinthos, he decided to honor the Saint of Love and sing together with him of the poetry of love.(www.yakinthia.com)

Agioi Déka (GR: Αγιοι Δέκα) is a town with 820 inhabitants in the plain of Messara, 170m above sea level, 43 km from Heraklion town and very close to the archaeological site of Gortyna. Its people are occupied mostly in agriculture - vines and olive trees. In the area there is is the oldest olive grove in Crete.
The town is built on the ruins of the ancient town of Gortyn where the Holy Ten Martyrs have been martyred.

The northernmost of the "Royal Apartments" has been identified as the King's Megaron and bears a striking resemblance to the corresponding "King's Megaron" at the Palace of Knossos. It consists of a spacious central hall with impressive polythyra (pier - and - door partitions) on the north and east sides. The east polythyron communicates with a second room with two columns, which opens onto a large light-well to the east. The gypsum slab flooring with red plaster filling, the interstices, gave the whole complex a particularly sumptuous air.
The north side of both rooms opens onto a spacious colonnade with columns set far apart, offering a magnificent view of Mount Psiloritis and the sacred Kamares Cave. A long corridor at the back of the polythyron room leads to the impressive "Lustra1 Basin" of the Megaron. The whole apartment was decorated with colourful wall paintings depicting linear and plant motifs.

The southernmost of the "Royal Apartments" ofPhaistos has been identified as the Queen'sMegaron. It consists of a beautiful, spacioushall with a double colonnade opening ontoa light-well. The floors are paved with gypsum slabswith red plaster filling the interstices. Gypsumwas also widely used for the benches runningaround the walls of the Megaron and the facingof the lower part of the walls. The upper walls aredecorated with frescoes depicting plant motifs. Twobeautiful rhyta (libation vessels) were found here: one is decorated with the cult symbols of thedouble axe and sacral knot, while the other bears areed pattern.
The two staircases to west and north led to the upper floorof the Megaron and the peristyle, where one of the mainentrances to the "Royal Apartments" was located.

The complex of four rooms on the northeast edge of the Palace does not belong to the Old Palace, although it directly adjoins it. In the westernmost building is an elongated rectangular room with partitions of vertical clay slabs. Similar "cists" in the Palaces of Knossos and Zakros were used to store valuable ritual vessels. Here they were found empty. Next door, in the narrow rectangular room to the southeast, was found a clay tablet inscribed in Linear A and the famous "Phaistos Disc" bearing hieroglyphic writing. The building was therefore named the Palace "Archive"
The building east of the Archive is thought to be a shrine or the archivist's residence, while the easternmost building is known as the "Potter's Workshop" because a large number of unfinished pots were found there. The intermediate building has an impressive peristyle of alternating pillars and columns. A staircase on the south side of the peristyle building connects the whole complex to the NE entrance to the Palace, which stood in this spot.

The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

The Upper Court is the first of the three courts in the West Wing of the Palace. Its south side is supported by a strong retaining wall separating it from the West Court. On the west side, the 17 circular recesses in the ground indicate the presence of an equal number of wooden columns which probably supported a covered colonnade. The court is crossed from north to south by a raised "Processional Causeway", which, like those of the other palaces, would have been used for sacred processions and other rituals. The Upper Court also functioned as a kind of balcony from which one could watch the events taking place in the West Court, which is just to the south and on a lower level. The two courts are linked by a majestic staircase starting in the southeast part of the Court.
The buildings on the south side of the court were built much later, in Hellenistic times (323-67 BC), when the palaces had already beendestroyed. The most important of these contains a room with two columns, a central hearth and stone benches around the walls. It isbelieved to be a public building, probably a Prytaneion or Andreion.Early Christian tombs (330-600 AD) can be seen east of the "Processional Causeway"

The large paved West Court, in front of the facade and the central entrance to the Palace complex, dates from the time of the Old Palace (1900 - 1700 BC) and played an important part in the lives of its inhabitants.
On the north it is bounded by a high which also supports the Upper Court, which is on a higher level. At the foot of the wall are eight wide steps which formed the seats of what may be called a theatral area. As with the corresponding "Theatre" of Knossos, from here spectators would have watched the religious events and festivals taking place in the court. The West Court is crossed by a raised "Processional Causeway" similar to that of the Upper Court, which continues up the steps of the Theatral Area.
During the time of New Palate the West Court was widened and raised to a higher level, so only 4 of its 8 steps remained visible. After the reduction of the Theatral Area, the great staircase must have been used as an additional theatral area for the events and ceremonies held in the West Court.