The northernmost of the "Royal Apartments" has been identified as the King's Megaron and bears a striking resemblance to the corresponding "King's Megaron" at the Palace of Knossos. It consists of a spacious central hall with impressive polythyra (pier - and - door partitions) on the north and east sides. The east polythyron communicates with a second room with two columns, which opens onto a large light-well to the east. The gypsum slab flooring with red plaster filling, the interstices, gave the whole complex a particularly sumptuous air.
The north side of both rooms opens onto a spacious colonnade with columns set far apart, offering a magnificent view of Mount Psiloritis and the sacred Kamares Cave. A long corridor at the back of the polythyron room leads to the impressive "Lustra1 Basin" of the Megaron. The whole apartment was decorated with colourful wall paintings depicting linear and plant motifs.

The southernmost of the "Royal Apartments" ofPhaistos has been identified as the Queen'sMegaron. It consists of a beautiful, spacioushall with a double colonnade opening ontoa light-well. The floors are paved with gypsum slabswith red plaster filling the interstices. Gypsumwas also widely used for the benches runningaround the walls of the Megaron and the facingof the lower part of the walls. The upper walls aredecorated with frescoes depicting plant motifs. Twobeautiful rhyta (libation vessels) were found here: one is decorated with the cult symbols of thedouble axe and sacral knot, while the other bears areed pattern.
The two staircases to west and north led to the upper floorof the Megaron and the peristyle, where one of the mainentrances to the "Royal Apartments" was located.

The complex of four rooms on the northeast edge of the Palace does not belong to the Old Palace, although it directly adjoins it. In the westernmost building is an elongated rectangular room with partitions of vertical clay slabs. Similar "cists" in the Palaces of Knossos and Zakros were used to store valuable ritual vessels. Here they were found empty. Next door, in the narrow rectangular room to the southeast, was found a clay tablet inscribed in Linear A and the famous "Phaistos Disc" bearing hieroglyphic writing. The building was therefore named the Palace "Archive"
The building east of the Archive is thought to be a shrine or the archivist's residence, while the easternmost building is known as the "Potter's Workshop" because a large number of unfinished pots were found there. The intermediate building has an impressive peristyle of alternating pillars and columns. A staircase on the south side of the peristyle building connects the whole complex to the NE entrance to the Palace, which stood in this spot.

The east part of the North Wing forms the workshop area of the Palace. It consists of the East Court and a complex of small rooms which are believed to be the workshops of the New Palace (1700-1450 BC). Approximately in the centre of the court are the ruins of a horseshoe-shaped kiln. The elongated rectangular building with 6 rooms on the west side of the court appears to have been used for the workshops of the kiln craftsmen.
The square room on the north side of the court was the gatehouse of the northeast entrance to the Palace. It has gypsum slab flooring and benches around the walls. Behind it is a long corridor leading to the inner courtyard of the North Wing and thence to the "Royal Apartments"

The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.

The large paved West Court, in front of the facade and the central entrance to the Palace complex, dates from the time of the Old Palace (1900 - 1700 BC) and played an important part in the lives of its inhabitants.
On the north it is bounded by a high which also supports the Upper Court, which is on a higher level. At the foot of the wall are eight wide steps which formed the seats of what may be called a theatral area. As with the corresponding "Theatre" of Knossos, from here spectators would have watched the religious events and festivals taking place in the court. The West Court is crossed by a raised "Processional Causeway" similar to that of the Upper Court, which continues up the steps of the Theatral Area.
During the time of New Palate the West Court was widened and raised to a higher level, so only 4 of its 8 steps remained visible. After the reduction of the Theatral Area, the great staircase must have been used as an additional theatral area for the events and ceremonies held in the West Court.

The south end of the West Court is occupied by four large stone-built structures known as "Kouloures" (rings) ,belonging to the Old Palace complex. The workmen on Evans' excavation gave them their name when they were first discovered at Knossos. Similar pits were also later discovered at the Palace of Malia. Their exact use is unknoun, although today they are generally regarded as depositories for offerings from the Palace shrines, or granaries.
In front of the Phaistos "Kouloures" passes a "Processional Causeway" which starts in the West Court. One of the "Kouloures" is cut across by a cobbled road built in later years.
The well next to them belongs to the Hellenistic period (323 - 67 BC).

The main facade of both the Old and the New Palace looked onto the West Court, off which the official entrances to the Palace opened. The facade which can be seen on a lower level belongs to the Old Palace(1900- 1700 BC). It is indented according to the rules of Minoan architecture. The lower part of the walls is constructed of massive limestone blocks (orthostats). The entrance is set into a recess in the SW corner of the court. lt consisted of a monumental porch with a large central column from which a splendid corridor, paved with gypsum slabs, led to the Central Court. This old entrance is now interrupted by the buildings of the New Palace.
Higher up and 7 metres further back is the facade of the New Palace (1700-1450 BC). It is constructed of large ashlars and also has deep indentations and protrusions. There are two entrances leading to the interior of the Palace. The main entrance is on the north and consists of a monumental staircase leading to the Propylaea. The other is deeply recesed and leads via a wide corridor to the Oentral Court, crossing the West Wing of the Palace

The magazines of the Old Palace(1900-1700 BC) occupied a large part of the West Wing immediately to the east of the West Court and extended to the lower terrace. Apart from their use as storage areas, they also appear to have housed some of the workshop activities of the Old Palace. Today most of the magazines have been filled in.
One of these is the magazine with the giant pithoi (storage jars) decorated with discs and rope patterns in relief. Just east of this is a well-preserved quern installation for grinding grain. There is another well-preserved Old Palace magazine under the floor of the light-well in the Propylaea.

The north part of the West Wing is occupied by she large complex of the palace magazines or store rooms. It consists of the antechamber, the corridor of the magazines and the magazines themselves. The first wide hall forms the antechamber of the magazines and opens off the Central Court via a doorway with a central column and two pillars. Two other columns inside the room supported the roof. Under the floor of the antechamber was discovered the Archive Room of the 0ld Palace (l900 - 1700 BC), containing over 6.000 clay sealings, i.e. seal impressions on balls of clay, which were used to monitor the movement of the goods in the magazines(fig 1).
A double doorway with a central pillar on the west side of the antechamber led to the corridor of the magazines, with a second central pillar supporting the roof of the corridor. To right and left were the ll magazines, in which the goods produced by the Palace were stored. The westernmost magazine, on the north side of thecorridor, which has been roofed over by the excavators contains tall pithoi (storage jars), one of which bears an inscription in Linear A (fig.2)

Almost the whole south part of the West Wing was dedicated to the shrines of the New Palace. The main architectural types of shrine are the "Bench Shrine" and the "Lustral Basin".
The first type consists of small, rectangular rooms with low benches running round the walls, perhaps to support cult objects and figurines of the deity. On some of them were found female figurines, ritual vessels and "Offering Tables" (small altars). On the walls of some rooms are incised sacred symbols, such as the double Axe and the star.
The "lustral Basin" type consists of rooms which are set somewhat lower than the surrounding structures, with a few steps leading down into them.
The were usually lined with slabs of gypsum, giving them a highly - finished appearance. Although it is doubtful that these structures contained water, it is thought that they were used for purification rituals.
There is a third type of Minoan shrine in the S-E part of the shrine wing. Its is a room with central pillars (Square, stone - built columns) thought to be a cult area, similar to the "Pillar Crypts" of the Palace of Knossos, where the sacred pillar was worshiped by pouring libations.

The great Central Court is a basic architectural element of Minoan palaces and the core around which the different wings are set. It was the focus of the economic, social and religious activity of the palace, the setting for events which could be watched from the windows and balconies.
The Central Court of the Palace of Phaistos was built in the time of the Old Palace (1900-1700 BC). It was also used in the New Palace with minor alterations to its orientation and dimensions. It is a rectangular paved, open area with colonnades running along both its long sides, with alternating pillars and columns which supported open colonnades.On the west side of the court, two adjoining rectangular rooms with benches, open on to the Central Court, may have been "sitting rooms" for the spectators watching the events taking place in the Central Court. In the east colonnade of the court, some stone-built benches next to a water cistern may have formed islands of rest and recreation.
The stepped structure in the NW corner of the court may have been an altar for the ceremonies which were held here.
The pithoi (large storage jars) in front of it were found in buildings founded in the site of the Great Court after the destruction of the Palace.

The church of Agios Georgios (St. George GR: Αγιος Γεώργιος) Phalandras stands a little to the south from the Palace of Phaistos on the road to Agios Ioannis village. The church was the monastery church of the Orthodox male monastery of the same name, dated to the early Venetian period (16th century), which operated normally until its dissolution in 1821. The ruins of the fortified building complex around the church were still visible until the first decades of the 20th century.

The "Royal Villa" at Ayia Triada which is situated very close to Phaistos, was built in about 1550 BC. i.e. just before the new palace at Phaistos, and was destroyed by fire in l450 BC, like all other important Minoan centres. It succeeded the first palace at Phaistos as the economic and administrative centre of the regions depriving the new palace there of this role, and appears to have had connections with Knossos. The two wings, with an open-air space between them, consisted of groups of interconnecting rooms (polythyra), storerooms and stairways. On the site of the ruins, a Mycenaean megaron, the so-called "Agora" and an open - air shrine were subsequently built.
In the villa's disaster layer from the fire in 1450 BC, excavation revealed a valuable group of exceptional works of art, precious materials, records in Minoan script and seals. The famous black serpentine vessels, the "Harvesters' Vase", the "Boxers' Vase" and the "Chieftain ‘ s Cup", the wall paintings depicting the natural landscape, the sarcophagus, the bronze and clay figurines of worshipers and the copper ingots from the Treasury are among the most noteworthy findings.

The main acropolis of Gortyna was located on Agios Ioannis hill, to the northwest of the Agora. Acropolis can be accessed from its west side driving through Ambelouzos village to the direction of Gergeri. At a spot around 1.6 kms from Gortyna parking there is a footpath (not clearly signposted and maintained) that leads to the top of the hill. Once at the top you'll be rewarded by the magnificent view to the whole area and the archaeological site itself.
The site was first inhabited in the Neolithic era and again at the end of Minoan times (1200 BC). Since then it was continuously inhabited until the Middle Byzantine period. From the first settlement only parts of walls, floors and hearths were preserved. In the 10th century BC a Geometric settlement was established fortified by a polygonal wall with towers at the corners. At the end of the 7th c. A.D., a small tripartite temple, dedicated to Athena Poliouchos was founded at the south side of the hill. From this temple some very important architectural sculptures were excavated. During the Early Byzantine period (5 - 6th century AD), a basilica was erected over the ruins of the geometric/archaic temple and, in the time of the emperor Heraclios (7th century A.D.) the last fortification with a castle in the center was built which still survives but in a very poor condition.

According to the myth, Zeus, disguised as a bull, coupled with Europe, whom he had brought from Phoenicia, under a deep- shaded plane tree on the banks of the Lethaios River. The offspring of this union were three sons, Minos, Sarpidon and Radamanthis. Later, the oldest Agora of the city of Gortyn, the Ekklesisterion (Congress hall), and the Roman Odeum were founded on this site. The plane tree was blessed and has remained ever green since that time. As his place of birth, the city was founded by King Minos himelf.
According to the myth, it was on the fields of Gortyn that the bull given as a gift to Minos by Poseidon coupled with the Queen Pasiphae and out of this union Minotaur was born.

The oldest theater of Gortyna was on the south slope of the Profitis Ilias hill (Acropolis), opposite to the Odeum. Its cavea was partly cut into the rock and partly built. Its scene was built at the west side of the large court of the Agora, which covered the river Lethaios with a flat bridge. This scene, which H. Belli saw in the 16th c AD, was 120 m long and was already destroyed in 19th c. AD.
On the proscenium there was an inscription of Julia Augusta and it was decorated with statues and relies, among which there was the statue of Europe on the Bull, with broken legs and head.This statue, as described by Admiral Spratt, is now kept in the British Museum and is dated to the 2nd c BC.

The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

The town of Timpaki (GR: Τυμπάκι) is located in the west edge of the plain of Messara, 65.3km away from the city of Iraklion. It is a rich and busy town with significant economic activity especially due to the early vegetables production in the wider area. There are banks, a post office, medical centers, stores, schools, hotels, restaurants, ect to cover both the needs of the locals and visitors.